Bring Me The Horizon: Post Human: Survival Horror REVIEW by Ivaylo S.

 


Evolution in the most regressive of times. When the pandemic hit, I immediately scoffed at the influx of art that would be inspired by the dark days. If that art even remotely reflects the power of this EP, then the light at the end of the tunnel is closer than we think. BMTH have certainly come a long way since Count Your Blessings, combining a plethora of other genres in each of their subsequent albums.

This cycle of experimentation concluded in 2019’s ambitious but dull amo, an album lead singer Oli Sykes confessed to being a pain to make. Thus, a new approach spurred on by global tragedy emerged from the band. This shorter, focused, tighter record filled to the brim with lockdown hatred, killer riffs and surprising features is a relentless stimulant, polymerizing everything that the band has done so far while simultaneously channeling their biggest influences.

From opener ‘Dear Diary’s schizophrenic experience(where a dog’s face is bitten off due to the isolation) to Amy Lee’s hauntingly beautiful voice in ‘One Day The Only Butterflies Left Will Be In Your Chest As You March Towards Your Death’ the album provides the listener a much needed kick to the teeth in a time of constant stagnation. In the end, it’s all about balance, as star track ‘Kingslayer’ demonstrates, pairing up some of Sykes’s most guttural screams with the soft and melodic voices of BABYMETAL in a collaboration worth the risk to see live.

On the 20th anniversary of Linkin Park’s Hybrid Theory, it is incredibly poetic that BMTH have created this gem. Somewhere, Chester Bennington is smiling.


Bring Me The Horizon: Post Human: Survival Horror, 5/5


Comments

Post a Comment

Popular posts from this blog

Pusha T: DAYTONA REVIEW by Ivaylo S.

Image
  2018 was certainly a surgical summer, as said by King Push himself on the absolutely scorching The Story of Adidon, one of the best disstracks of all time aimed at resident sad boi Drake. You see, Drake heard this record and the closing track Infrared  got to him. "How can you ever right these wrongs when you don’t even write your songs?" baits Pusha T. Drake, being the reasonable young man he is, decides to bring down the hammer in the form of Duppy Freestyle.  Unfortunately for him, Pusha Thanos was unfazed and his clapback has since echoed across the Internet like a universal calamity. He revealed Drake’s child from a pornstar, compares him to his own deadbeat dad for not acknowledging said son and mocks his sick friend. As you do. At the centre of all that nonsense was this precious little record.    Produced by Kanye West during the Wyoming Sessions which brough us Kids See Ghosts  and Nasir , DAYTONA finds Pusha T destroying anyone and anything that stands in his way.
Read more

Carsie Blanton: Love & Rage REVIEW by Aaron B.

Image
It’s true. She writes “a lot about sexuality and gender and a little bit about politics as well”, which incidentally is what caused me to listen to Buck Up back in 2019, but with time I forsook simple listening and became hooked. Away from its aggressive tales and soulful stirrings, I was struck only by Blanton’s storytelling talent and how inescapable her efficient snatches turned out to be.  So I’m a little miffed that this could have been the follow-up it ain’t, but it starts strong and ends less well, sustained through with warmth and aplomb that rivals Buck on nuance alone. Tied together by a voice well versed in mettle, I like the pluckier cuts as is my personal taste; staying off her “shit list” altogether seems a fine idea, plus she takes a well-aimed shot at the America Trump envisioned yet failed to see. But “All My Love” and “Be Good” are ardent and slight and impactful and imbue the album with such sweetness it’s impossible to quash the merit she’s owed for sharpening her s
Read more